I confirmed today that Hannah has not only played this but played it to COMPLETION!

(Reblogged from scobellsays)

(Source: cyborglovesong)

(Reblogged from missgreeney)

The 69ing lady’s a fricking hero!

(Source: chimerachick-deactivated)

(Reblogged from twerkyvulture)
(Reblogged from studiokillers)

Last year, Scobell had to ask me for the name of an MLP character so he could make this topical joke.

At around 1:14… Shit gets real.

That is… life-affirmingly insane…

(Source: worsethanmyotherblog)

(Reblogged from thickpls)

You asked for it…….

”..unless you mean the glamour of filing…the romance of typing! Tillie, what are you doing?”

Sawyer picking papers up from the office floor while Farley’s bugging her.

“Oh I’ll do it…Ever since he tap danced into town he’s been nothing but trouble!”

Sawyer looking out from the fire escape at animals below, then falling and getting all frizzy, then quickly fixing herself up.
(that was my idea.. tee hee!)

“L. B. Mammoth! Head of Mammoth Studios?”

Scene with Sawyer in foreground after Danny says “so were you, just a few minutes ago..”

“Well, well, well, (something I forget) costumes… I don’t know, something smells fishy.”

Sawyer as Danny says “Your life isn’t back there in that office…it’s here.”

Sawyer on the ark saying “‘Your life isn’t back there in that office’ he says…’dance with me,’ he says…blah blah…. no offence Herb”
(I did Danny there, too)

Sawyer stirring her tea

Sawyer in robe and curlers (also my idea…please pardon my bragging..)

Danny and Sawyer singing “Take four and twenty blackbirds and bake ‘em in a pie” (got my mitts on Danny again, here. This one is definitely one of my favorites. It was fun to animate them dancing together!!)

Tiny tiny tiny Sawyer singing “Ye-ah ye-ah, ye-ah ye-ah, yeah yeah yeah” at end of finale. It’s hardly worth mentioning since it’s so microscopic, but I like the way it turned out and it was super fun.

And by FAR my favorites:

“Well now let’s see, go to premiere…check. Land a big part…..check. Get the….. girl? CHECK!”
(And I’m also proud to say that that last particular line was my idea!!

The scenes with the checklist at the end are by far my favorites. Cute and flirty!!

I forgot to mention before that I animated Sawyer when she grabs Danny’s hand from behind the curtain at the premiere and says “We’re all behind you Danny…100%…….don’t let ‘em go Tillie.” That’s another scene that lost a little with the voice change.

Lauren Faust lists the shots she animated in Cat’s Don’t Dance

I like this interview a whole durn fuckovalot

(Reblogged from cygaj)

bunditos:

Favoroot princess.

Dats good drawling!

(Reblogged from futuresparkle)

cartoongoblin:

dcu:

mattfractionblog:

everybody thinks i’m kidding when i tell them about bob kane’s grave

(via)

Dude was WACK.

Ummmmm…that’s really weird. Like…a Steve Ditko level of weird.

Gross dude.

(Reblogged from jpjughead)

sketchamagowza:

WHY I DRAW WITH A MOUSE

People ask me what programs or tablets I use to do animation. My answer is always very simple. I animate in Flash with a mouse. Oh sure, I do actual physical drawings with various pens and paper and cardboard, but when drawing digitally the mouse has always been my device of choice.

“That is completely insane” they say. “How can you draw with a mouse!” 
I learned. I learned very early on. 

I always knew I wanted to make animation. More than comics, more than painting, I wanted to make art that MOVED. The main obstacle there was that I came from a poor family. Getting an expensive video camera was out of the question. I didn’t even have a computer! The first computer I got was a Commodore 64, well into the 90s when better computers were already out (but that’s another story.) 
What I did have was a Super Nintendo. I got very lucky and the very second game I had was Mario Paint. 

Mario Paint was an important tool for me. I learned how to make the most of my limitations. It taught me how to draw digitally with a mouse. I hooked the Super Nintendo to two VCRs and filled tapes with silly animation loops. I would use what little money I saved to buy a RadioShack audio/video mixer for 60 bucks and added music and voices to the short animations. These cartoons looked and sounded terrible, but I still pushed on. In high school I did science and book report presentations on VHS tapes using these tools. I knew I’d have to retire Mario Paint eventually though. I pushed every ounce of possibility out of that cartridge.

In the early 2000s I got Flash (from a generous donor) and I’m still learning many things from it. I use it to make nearly all my animations and I’m still drawing with a mouse. I’ve been mouse drawing since I was a teenager. It’s a craft I’ve perfected and only gotten speedier at. At this point a tablet feels like it would just slow me down. Even if I were to get a Cintiq, which I could quite possibly afford now, I know I’d still go back to the mouse for little things now and then.

I love the mouse. It’s so bad.

I HAD ACTUALLY NO IDEA!

(Reblogged from sketchamagowza)

adventuretime:

Ian Jones-Quartey, before he split to go work on Rebecca’s show, was a key creative-type for a good while on Adventure Time. (Fortunately, he’s still the voice of Wallow on Bravest Warriors.) He’s a truly busy man, so where he came up with the time to create this pretty awesome “Lakewood Plaza Turbo” for Cartoon Network no one knows.

ianjq:

But I don’t want to check out free games :(

(Reblogged from adventuretime)